Posted by Yon Bard on 02-24-2002 09:57 AM:
Its size and its asymmetry suggest to me that no. 13 is an ensi
rather than a small rug.
Also, pieces like no. 31 may be decorative trappings rather than bag faces.
P.S. wouldn't mind owning some of those pieces!
Hi Yon -
I don't have the precise size of rug 13
but it could well be an ensi. The Yomuts, especially made some ensis that do not have the hatchli (cross; four paneled) design. You can see in my comment that we noticed features that appear in some ensis. And rug 13 does have a seeming arch feature that is often seen on ensis but that is also often omitted from those woven by Yomuts.
While we're talking about ensis, I'm thinking about them quite a bit these days because the planned Turkmen exhibition at ICOC X is to be "ensis only." Peter Hoffmeister, the German collector is working with us on this exhibit and I notice that he steadfastly writes "engsi" rather than "ensi." I haven't asked him but does anyone remember what's involved in this difference in spelling? (Someone asked once why some many Turkmen words are pronoounced differently by different Turkmen native speakers and ask why. A Turkman way responded that it depended on how many teeth your grandmother had when she taught you to speak. :-) ) But maybe something more serious going on with "ensi" and "engsi."
Yon, I also agree that rug 31 could be a trapping.
Seems wide for a functional bag, although I don't think anyone looked for signs of an original back.
And, yes, there's some material here that many of us would like to own.
R. John Howe
If it were an engsi, wouldn't it look like this:
An engsi for who, the steppe leprechauns ?
It is the right size for a prayer rug.
Just a thought.
Chuck et al -
Most 19th century rugs that we see as ensis, are roughly 4 feet wide and 5 feet long. Some Salor ensis are 4 X 6 and the Ersaris seemed sometimes to make even larger ones.
But yes, many of them are of a size that might make one suspect that they could have been used as prayer rugs. And since many also have arch designs at their tops, the old literature tended to call them prayer rugs. More recent research has suggested that they were in fact door decorations and the notion that they might be prayer rugs has now been frowned on in the literature for a few years.
But Eiland and Pinner in their Wiedersperg catalog note that often very old ensis have been found in very good condition, suggesting that they were not routinely hung on doors for extended periods of time (felt seems to have been the everyday material used for door rugs). They suggest that this likely means that ensis were part of the weavings used primarily at weddings and which were then put away.
They then provide this sentence suggesting how circular the world of such interpretation can be. "...This, of course, leaves room for those who like to speculate that the Tekke and Arabatchi ensis, with their single mirhab...may have been used later on the floor as prayer rugs or on the wall as precious keepsakes or icons..." (p. 40). This seems an unnecessary suggestion unless they seriously entertain this possibility.
Anyway, Chuck, there are some big time rug authors seeming to rehabilitate a bit the notion that at least some ensis could at least sometimes have been used as prayer rugs.
R. John Howe
Some more thoughts, and more to the point..
(John, you got in while I was composing this. I guess I'll add: OK, so when is an ensi not an ensi. It doesn't have any of the classic elements of an "ensi" that I'm aware of. But it's easy for me to believe that a weaver might put "ensi" elements into a smaller utility rug just for aesthetic purposes. My pre-John addendum follows..)
1) No elem panel
2) No internal major border defining the internal box, crossbeams or not
3) Asymmetry ? Well, certainly the main border switches motifs, but note also that (I don't think it's just the photo) the whole internal panel changes tone and character. The lower part has well proportioned major and minor elements, the internal element of the ram's horn shape is outlined in dark wool, and the inner curls of the rams horn shape are well done.
Contrast that with the upper portion, where the rams horn shapes start expanding as the weaver starts running out of loom and ideas, and where the execution looses a little something.
It seems that the rug may have been set aside for a while, and then continued. After Mom dished out a little tongue lashing about how one doesn't cut off the edge of the horns (lower, pre-tongue lashing part) on Dad's new prayer rug without getting into trouble.
Dear folks -
I don't want to be a "wet blanket" about this first thread on the ensi, but the truth is I am currently already working on my next salon which will be entitled "What Can We Say About Engsis?"
So I'd like to ask that you all hold, for the moment, the very real energy you are exhibiting for this discussion. We're going to have an entire month to explore what we know and don't with regard to this format.
Meanwhile, do your homework about whether that "g," that some folks seem to insist on, is important.
R. John Howe
Chuck, by 'asymmetry' I was referring to the field.
The change of motif along the border is a clear example of an 'internal elem.'
John, what is the thing that's visible on the left of the piece?
YOMUT PRAYER RUG #13
Yes, this piece is not an engsi, but a prayer rug. The arch
designates this as it symbolizes the mihrab in the mosque.
Engsis with quadripartite layouts get their erroneous "prayer" association from the old misconception that the crossed vertical and horizontal axes formed a Christian cross and old Armenian dealers applied the term "hachli" more as a design type than a function attribution.
Function is more impt than design when it comes to pieces used for the ritual of namaz -- prayer. Anything in any design can be used to pray upon. I've observed prayer on non-gabled rugs, non-gabled kilims, newspapers, plain cloth, even their own jacket to provide a "prayer place." For prayer, the Koran says only that "...you shall prepare a CLEAN (emphasis mine) place."
I only know of fewer than a dozen "gabled" design prayer rugs among Trurkmen weavings and most of these are of Tekke and Ersari/Beshir groups. This is the only gabled, Yomut family piece I've seen. I've not seen any rugs with a gabled prayer arch that display the "Eagle motif" (after Pinner). It's palette is wide and it has a lot of true undyed camel hair in the pattern.
It is about 3'8" X 4' and another image is in ORIENTAL RUGS FROM ATLANTIC COLLECTIONS, p.176, plate 198.
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